The Tattooed Poets Project: Tammy Nuzzo-Morgan

In the first post of this year's Tattooed Poets Project (here), Vicki Iorio described watching today's tattooed poet, Tammy Nuzzo-Morgan, recite verse while being tattooed. Here is that tattoo, along with some others:

Photograph by Mark Wells

The word "poet" in the center of the back is self-explanatory and was inked by Syxx, at Wyld Chyld Tattoo Studio. Above that is the name "Joey," who is Tammy's husband. That was done by an artist named Kenny at a shop called Z Connection. The piece on the right is a rose, with the names of Tammy's three children and their birth dates, inked by Bob at Tattoo Lou's on Long Island. Dave at Tattoo Lou's also did the memorial cross for Tammy's son Mike, who was killed in 1995. Tammy also has this tattoo on her foot:

That cat paw is for Tammy's cat, Maude, who passed away last October 10, and was done by Jimmy at Wyld Chyld.

Tammy also shared some of her poetry:

POEM#6

I am not the coca cola girl,
the Cheez-It tidbit waiting for you to taste,
the limo ride to the Yankee’s game,
the wrangler jeans chick baking in the New Mexico sun,
and I never was or will be Sunday mornings in spring.

I am the time-ticking-away second hand,
the flat tire on the side of the road,
the too high door jam,
the worn-out tooth brush,
the 59 cents in the ashtray,
the Lunch Poems dog-eared book,
and the who never forgets to tell the truth.

~ ~ ~

SPOONS

I remember when you spoon-fed me ice-cream as we lay in bed on that rainy afternoon
and the way your fingers tasted and your neck had a hint of sweat and I closed my eyes
and you drove away the dark and I called your name in a low, soft moan.

I remember when you spooned sugar into your morning tea on that sunny Tuesday
and I watched you drink as if you were a foreign film I could not understand
and your smile told me my poetry made you hunger for more than a nine-to-five life.

I remember when you spooned dirt into the flower pot and filled it with mums for me
and I was peeking out the window seeing you bent down working away humming
and I decided then that I was not who I wanted to be without you in my days and nights

And I remember how after you left I packed away all the silverware, including those
spoons and I gave the box to the Salvation Army, hoping for some salvation of my own
and I drove away from our town knowing I would never see another sunset like you.

~ ~ ~

Tammy Nuzzo-Morgan is a very busy woman. She was appointed Suffolk County Poet Laureate for 2009 – 2011. She is founder and president of The North Sea Poetry Scene, Inc. and The North Sea Poetry Scene Press. She was nominated for Pulitzer Prize in 2006 for her poetry book, Let Me Tell You Something. She is
listed in Poets & Writers, has penned 4 chapbooks, is Poet-in-Residence at Southampton Historical Museum, an adjunct Professor at Briarcliffe College, the editor of the Long Island Sounds Anthology. She hosts TNSPS’s Arts Forum TV Show on Channel 20 on Cablevision in Riverhead, N.Y. and serves as the Lead Poetry Jurist for the East End Arts Council, Riverhead, N.Y.

Currently, Tammy is creating an archival/arts center (www.lipoetryarchivalcenter.com) for Long Island poetry that will be a gathering place for poets. She is also currently working toward an M.F.A. at Southampton Stony Brook University.

Thanks to Tammy for sharing her work, both written and tattooed, here on Tattoosday!

This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.

If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.

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Geraldine's Joseph (With a Nod to Green Day)

It was my boldest moment as a tattoo solicitor to date. A half-dozen or so Green Day fans were decamped in the early afternoon near the artist entrance at Madison Square Garden. Green Day was playing that night and I saw one person inked, a woman, but I chose to announce to all: "I write a tattoo blog and was wondering if any of you had Green Day tattoos?"

Sadly the answer was "no," or, I should say, not exactly.

The woman I spotted before spoke up and we chatted about her ink. She was okay having me take the following photo, one of the few I've posted in which you can identify the tattoo contributor:


Her name is Geraldine and the tattoo she is displaying is a memorial piece for an ex-boyfriend who recently passed away.

Joseph was a musician and died of a heroin overdose.

Geraldine is a huge Green Day fan and Billie Joe Armstrong, lead singer for the band, has the name Joseph on his arm, in honor of his son.


Geraldine chose the same font as Billie Joe's Joseph tattoo and noted that, in the song "Jesus of Suburbia" the first three letters of each word in the song title spell out the first three letters in the name Joseph.


She had this tattoo at Ink Inc. in Kingston, New York.

Thanks to Geraldine for sharing her story and tattoo with us here on Tattoosday!

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Austin's Sleeve Pays Tribute to His Grandmother

Austin was visiting New York when I stopped him on 7th Avenue right in front of the Fuse studio.

He offered up this sleeve on his left arm:


























This was inked by Amanda Grace at Truth and Triumph Tattoos. She now works at Smartbomb Tattoo. Both shops are in Dayton, Ohio.

The playing cards are a tribute to his grandmother, who was a card player. She also tended roses, so these flowers also pay homage to her.

Of the other elements, Austin says he just likes skulls, artistically. Also, the words "Never Again" are there to remind him to remain strong his sobriety, and not to go down that same road of dependency.

I appreciate Austin stopping and chatting with me, and thank him for his forthrightness, and for sharing his tattoos with us here on Tattoosday!

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Who's Better Than Us: Chris Honors His Father

I met Chris in Brooklyn Heights one afternoon and asked him about his ink. He has seven tattoos in all, but offered up this section of his arm:


What seems at first like an odd juxtaposition of figures makes more sense when it is explained.

The piece is a memorial based on a photograph of his father, who had worked as an editor on the original film of Woodstock, as well as the book documenting the process who worked with the team that made Woodstock (Paradigm), developing and experimenting with new film technology which was eventually used in the process of making the movie.

After searching for a while, I emailed Chris and asked if he could send me the photo. He generously obliged:


Seeing the source material on which this piece is based makes it cooler. The photograph appears in the book, and was taken up at Woodstock when the documentary was in production years laterby one of the cinematographers of the Woodstock film, Chuck Levey somewhere in New Jersey.

And the back of the arm features a quote from Chris's dad, a statement he would often make, which seems genuinely appropriate from someone so deeply immersed in the culture of the 1960s:


Chris had his tattoos inked by Nick Caruso at Fly-Rite Studio in Brooklyn. Work from Fly-Rite has appeared previously on Tattoosday here.

Thanks to Chris for sharing his work here on Tattoosday!

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Leesa's Memorial Tattoos

There are certain signs I look for when I am scanning a crowd for tattoos. Colored hair and/or facial piercings are good, but not always reliable, indicators that someone may be inked. A guitar case, you would think, also favors the theory that its possessor has tattoos, but it's not always the reality.

So when I spotted a tall woman walking out of Penn Station carrying what appeared to be a guitar case, I took notice. And, she had a neck tattoo that resembled this pattern:


Despite being in a hurry, she let me shoot this photo of her forearm tattoos:


She explained that the one on the left arm features her mother's initials (HLH) under the phrase "máthair mo ghrá" and the dates 2-23-25 - 1-5-09". The tattoo is Gaelic and translates to "Mother, my love".

She explained that her mother died earlier this year and, before I could react, she explained that the right arm is a memorial to her husband (AMS), who died thirty-three days later.

Her right arm reads "Fear chéile mo ghrá" which means, "Husband, my love".

In an attempt to express condolences, I said, "Wow, it sounds like you've had a bad year. I'm very sorry".

But she was not down about it and said that actually, despite a rough year from a family perspective, it had been a good year for her personally.

She indicated that she was running late for rehearsal and I asked her if her band had a website. She started to spell the name "L-E-Z..." and I knew instantly what band she was in. The runic tattoo on her neck was familiar because it had stood for the great drummer John Bonham. Leesa is the drummer for the all-female Led Zeppelin tribute band, Lez Zeppelin.

It was only later, after researching a bit, that I learned that the band's guitarist and de facto leader Steph Paynes, had announced on January 5, 2009, that the other members of the band were leaving, and three replacements, including Leesa, were subsequently selected.

I am assuming that Leesa's reference to a good year, personally, had much to do with her joining Lez Zeppelin, and embarking on a tour.

These memorial tattoos were inked by Matt Adams at Sacred Tattoo in Manhattan.

Here's a clip from the band playing earlier this year in New York:



Thanks to Leesa for stopping and talking with me, despite being in a rush. I appreciate her sharing her memorial tattoos with us here on Tattoosday!

Please check out the Lez Zeppelin website (here) to learn more about this cool band. See here where they are playing later this summer.

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Tattoorism: A Sparrow Drops in from North of the Border

February is the Dead of Winter, and after the 60-degree day from last Wednesday, I have seen very few blogworthy tattoos in the Big Apple.

Fear not, dear readers, warmer weather is around the corner. I can feel it. So, in the mean time, I am relying on the kindness of readers.

Behold, Jenna's bird:


Jenna wrote: "I just stumbled across your blog one day and I'm always up for sharing my favourite tat! Here's a picture right after it was finished... only picture I've got :( Looks much nicer now that it's finally healed!".

Fresh ink isn't always the prettiest, but we here at Tattoosday like the occasional unsolicited submission, especially when we've been in such significant ink withdrawal.

That was all she wrote, however, so I asked Jenna for some more info on this avian neck tattoo.

Jenna hails from Toronto, and had this inked by Phil at Adrenaline Tattoo there.

She explains the meaning behind this piece:

"...My best friend passed away from cancer in December 2007, and I was really, really torn up about it. When my friend, Corey (who was only 17) was alive, he would see a psychic and never shared any information with her. One day out of the blue last year, the psychic called Corey's family and spoke to his sister. All the psychic said was 'Do you have a friend named Jenna?' and the sister said 'Yes, she was really close to Corey as well". After speaking for a little while, the psychic declared that Corey wanted me to know that he is always going to be there for me and if I feel anything warm on the back of my neck, that's him guiding me in the right way... So, that's why this beautiful bird is on the back of my neck. For Corey."

Thanks to Jenna for sharing this emotional piece with us. We'll update the post with a cleaner, fresher photo when she gets one for us.

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Tattoorism 101: Jenny's Unforgettable Memorial to Her Mother and Grandmother

Despite unseasonably warm temperatures this weekend, I didn't see any tattoos, shattering my expectations. However, all was not lost. I received a lovely e-mail from a reader named Jenny who brightened my day with an amazing tattoo. She must have been reading my mind when she said, "Since it's winter and most of us have our ink covered by turtlenecks and wool sweaters, I would let one of my tattoos out and share it with you."

And what Jenny sent me was a breathtaking floral tattoo that is simply beautiful:


I'll let Jenny explain this piece in her own words:

"My grandmother and mother are two very special people in my life, and both have passed away. When I was 21, I got my first tattoo. It was a small piece, but it meant a lot to me. My mom was so excited for me - she told me that she wished that she had the money to get a tattoo herself! My mom died without ever getting a tattoo, but blue was her favorite color.

My grandmother passed away a few years after my mom, and I decided that I would get a tattoo for them. The tattoo did not start out as planned. I went in to the shop thinking that I'd get myself a small lilac on one shoulder that had a green ribbon wrapped around it (Grandma in the Green House had lilac trees). I was also toying around with the idea of some sort of blue tattoo for my mom, but I had no idea what to do.

When I talked to the tattoo artist, she was designing a lovely lilac tattoo, and I asked her to put some Forget-me-nots with it for my mom. She created two separate sprigs, and the forget-me-nots were perfect. I went in to plan for a lilac tattoo, but I left with a shoulder of forget me nots (my largest tattoo, and I had it done in one sitting - it was intense, but I am so glad that I did it in one sitting). A sprig of lilacs will go on the left shoulder once I have some more money and the design is "right" (it's good but not ready, yet). For now, I have my mother's forget-me-nots intertwined with my grandma's green ribbon."

A closer look shows how well the two elements of the forget-me-nots and the green ribbon are woven together, just as Jenny's mother and grandmother are permanently sewn into the fabric of her life:


This simple and poignant memorial tattoo was inked by Kira at Sleepy Hollow Studios in Potsdam, New York (40 minutes from the Canadian border).

Much thanks to Jenny for being a loyal reader and from infusing a drab weekend with color by visiting us here at Tattoosday and sharing her tattoo!

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Michael's Mariachis Celebrate Life with a Burst of Musical Color

In reconnecting with old college friends through Facebook, my old friend Michael who I haven't seen in almost twenty years sent me an amazing tattoo he has on his right arm.

He sent me before and after shots so we can see the transformation from outline to spectacularly colorful body art. First, the before shots.....



The detail and the line work is exemplary and breath-taking. As someone with a guitar inked on my arm, I can appreciate the intricacies of a finely-drawn instrument. The detail on the mariachi's jacket cuff is incredible.



And now, for some color:




Michael explains the basic premise of this tattoo:

In a sense, this piece is a "memorial" tattoo, although I hate to call it that. Since I grew up in the Southwest, Day of the Dead was a regular thing, so I've always been drawn to that type of imagery, plus I like the meaning -- honoring the dead, and reminding us to live life to the fullest. I picked the mariachis partly because I am so into music, and partly because of the celebratory aspect of mariachis.

Like many intricate tattoos with multiple elements, every part has significance. The tulips, for example, that are growing at the mariachi's feet, "are an actual heirloom varietal that I have in the garden" [and] are for my wife -- tulips are her favorite flower".



And the angel at the top of the piece (and the top of the post)?


Michael informs us that "the angel is for my mother, who is no longer with us. The angel holds a purple iris (my mother's favorite flower), and looks down over the whole scene."

This amazing piece was inked by Susan Behney-Doyle who works out of Jinx Proof Tattoo in Washington, D.C. Mexican folk art is one of her specialties (see a gallery of her work here) and Michael says he "gave her a few reference pieces to look at, but she basically drew it after a consultation". He continues, "we made just a couple tweaks after I saw the drawing, but it's a one-of-a-kind custom piece".

The whole tattoo was crafted back in 2006 over a five-month, seven-session period. Michael notes that one of those sessions was devoted solely to shading the guitar. A closer look at the instrument reveals an incredible complexity of brown variations that truly makes the guitar jump off the skin.

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Chris Shares Memorial Peonies for His Grandmother, Aileen

Here at Tattoosday, we're all about finding great ink on the streets of the greatest metropolis in the world, New York City.

But we also occasionally get mail from the tattooed who I have not met, but who want to share. I had a little bit of backlog from earlier this Fall and am finally getting to some of the generous contributions.

Chris sent me a photo of his tattoo in early October, along with a thoughtful and well-written history behind the piece. His story is fascinating, and his insight into the tattoo process is meticulous and, I believe, illustrative of how best to go about creating a design that imports significant meaning into the tattoo in question. I'll let Chris' words tell the story...

Hello,

My name's Chris. I'm a freelance graphic artist who lives in the East Village. I stumbled across your blog when I was trying to track down an artist from New York Adorned - the one who did the tattoo I'd like to share with you. I hope you don't mind me just writing you like this, but I liked what I saw on your blog and I felt it would be a good place to share this piece.

I am originally from Australia SC, but I came up here two months later to visit my brother for a week or so. The first thing I did on the Sunday afternoon when I got here was head to New York, but I have lived in the US since 1990. I have not gotten to visit home the whole time I've been in the states, which means I've missed all my cousin's weddings, as well as my best friend's and I've missed being there when they had their first children. Not having been home in all this time also means I never got to see my grandmother again before she passed away in June of 2007, which was just the most horrible feeling. At the time of her passing I was still living in Adorned. I'd already set up an appointment before I came up and I'd set aside funds just for the visit, so I went over there and Damion Ross got started on my memorial piece. The piece was originally a painting that I did and Damion did some redesigning to make it truer to the style of tattoo that I wanted, so the end result is really the perfect tribute to my grandmother who loved her garden and flowers. The tattoo required two sessions and it cost more than any of my other work, but you really can't put a price on a piece that commemorates the life of someone so dear.


Just for frame of reference, I have been recovering from severe facial injuries for almost four years. At the time I made the trip up here to get the tattoo I was out of work and had no income, other than a measly settlement that a judge had begrudgingly awarded me for Social Security. I spent a sizable chunk of that settlement to memorialize my grandmother, even though I had no idea when I'd have income again. My point is that people should not be stingy when memorializing a loved one, because you're going to be carrying that reminder with you for the rest of your life. Do you really want to be reminded of how cheap you are? Give them prime real estate and wear it proudly.

Thanks for letting me share with you.

Chris.

Damion Ross' work has appeared on Tattoosday previously here. And New York Adorned has been featured many times, as evidenced here.

Chris wrote me back and expounded further on the importance of really putting thought and effort into getting the perfect design and not settling for anything less:

Hey Bill,

I'm glad to be able to share my ink and story. I am working on getting some good coverage, but that's kind of hard to do when your income is extremely limited. I've collected images and put together designs for a number of years, but this was one that I wasn't prepared for at the time, nor did I have any idea that my next tattoo would be a memorial piece. So I set about searching images for my design - looking through numerous illustrations of Japanese floral paintings, as well as photographs of flowers and different types of traditional tattoo banners. I also made sure I did my research on the symbolism of flowers in Japanese art - both for flower type and colour, as these details are of great importance. When I'd found some good, solid reference material, I was then able to start on the design work.

I did a strong pencil sketch from a photo of peonies, the two most opulent blooms and capturing as much detail as I could. I spent a good number of hours sketching to make sure I had a good solid foundation. When I'd completed the sketch I scanned it and started to colourize it in Photoshop to make sure I'd have just the right colour scheme. Once I had that down I started painting what would be my first floral painting ever! I have to honestly say I amazed myself, as I wasn't even sure I could paint flowers, but my eye didn't betray me and the results were fantastic. That said, it was the digital version that I took to New York Adorned and it ended up being simplified considerably, but the image became more bold in its simplification.

So I would recommend putting a lot of thought and work into your memorial piece, but then let the tattooist do his (do I need to say or her in this day and age) job, as they generally know what they're doing. I'm attaching a (terrible) photo of the painting,


as well as the digitized version that the tattoo artist referred to. There's a drastic difference between the scan and the photo already, as I'd only sketched the flowers when I scanned the board. I took the painting in the direction I did to offer further interpretation and ramifications to the piece. I ended up selling the painting, though not for nearly as much as I'd have liked, consider the tremendous amount of work that went into it. Before it sold I had a tattooist contact me asking if I'd sell him a digitized version to use on t-shirts. I replied with very precise terms, saying that I'd already considered making t-shirts and prints of the design so maybe we could work something out, but then I never heard back from the guy. So if you see this design around - the one with the hand and scissors - it has been stolen and I'd be most interested to hear about, as I have not had the opportunity (read: the funds) to have anything printed.....

It isn't often that I receive such an in depth analysis of a tattoo from someone. It's clear that Chris being an artist has magnified his passion about this art form. I appreciated the opportunity to share his thoughts here with everyone on Tattoosday. Once again, much thanks to Chris for illuminating his beautiful memorial tattoo for us!

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Tom Wacker, 1966-2008

Late Thursday night I received a phone call I wish had never needed to be made.

My friend Sheri called me to tell me that her fiancé Tom had died unexpectedly earlier that day, the victim of an aneurysm. He was only 42.

People die every day in America, in the world. Young, old, healthy, sick. Death is a fact of life. Here at Tattoosday, we acknowledge that. Memorial tattoos abound.

But Tom was not just anyone. He was my friend, and he was with me from the beginning of this venture, one of Tattoosday's earliest fans and supporters. Not only did he offer up his own ink (reposted below), but he was always on the lookout for me, and saw most of the photos before they made it to the blogosphere. We'd exchange messages and updates over the weekends, and he always anticipated my return from lunch on weekdays, to see if I had spotted any awesome ink.

He knew how much I was yearning for a better camera, and he ended up getting me a new one, with Sheri, for my birthday.

And if we weren't talking ink, we were talking music, both of us big fans of Iron Maiden, Guns N' Roses, AC/DC, and Metallica.

Below is the post I ran of his tattoo, a grim reaper from his metalhead days. It's not spectacular work, but it graced his skin, and made him one of the inked nation.

Tattoos I Know: The Grim Reaper (originally posted September 11, 2007)


This is the sole tattoo of my friend and co-worker, Tom Wacker.

Tom designed and drew the art upon which this tattoo was based.

The Reaper is posed on Tom's biceps/deltoid and has resided there since 1984, when its host was a young lad of eighteen.

This is Tom's only tattoo and he has no plans to get more. He is proud of the fact that, because he designed it and because he then tore up the original design, it is a one-of-a-kind piece. He said that it was very painful because of the amount of black ink that went into it.

The tattoo was inked by Dean at Lola's Tattoos, then in Cliffside Park, but now in Bogota, New Jersey. Tom got this tattoo "because it was cool," although the tattooer tried to convince him not to get it because it was "too mean" for him. Twenty-three years later, Tom says he has no regrets about his ink.

Thanks, Tom!

~~~~~~~

I have been posting less, of late, but Tom's spirit will live on through Tattoosday. For he is the audience I envision while writing. I know he would tell me not to mourn, but to keep on doing what I love, blogging ink, meeting new people, and showcasing their body art for all to enjoy.

I'll miss you, Tom. This blog's for you, too, wherever you are.

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Joel Marks Memories with Some Significant Ink

What is this? Read on.....

Last week I met Joel, a writer and a marketing director for an artist management and development company.

Joel couldn't tell me how many tattoos he has (he has that many), but he did share two of them with me.

The first is posted above and, despite being a little blurry in the photo, this small piece is an early band logo. In fact, Joel informed me that it was the first tattoo ever inked in honor of the band Linkin Park, one of the first acts to achieve a massive audience with their blend of hard rock
and rap.

Joel explains that, in September 2000, he was travelling with the relatively obscure band in Utah, working as a driver and director of merchandising. They were touring just prior to the release of their breakthrough album Hybrid Theory.

Tattoos are often road maps for one's personal history and this tiny Linkin Park tattoo marks that moment in time.

More important to Joel, however, is this, one of his more recent tattoos:


It's an interesting and unusual take on the knuckle tattoo. Rather than the 4x4 knuckle piece, it's a 2x2, with the letters "M" and "C" on the right hand and the numbers "5" and "9" on the left. When the fists come together, the MC 59 display, representing Mike Conley and the year 1959, when Mike was born.


Joel described Mike as his best friend, who died tragically in February of this year after falling and hitting his head in a parking lot of a Chicago motel. Mike introduced Joel to the work of Charles Bukowski and Jack Kerouac, and to the music of Miles Davis and John Coltrane. He was the owner of The Avalon Bar in Costa Mesa, California. I could see the sadness in the eyes of Joel, as he recalled the friend that was taken from life
too soon. Joel said "I'm never gonna be over it."

This was inked by Hek at HB Tattoo in Huntington Beach.

I learned later, by visiting the Mike Conley Family Memorial Fund website, that Mike was a founding member of the Southern California punk band M.I.A. (Not to be confused with the hip hop artist of the same name.)

I encourage folks to visit the website and, if so moved, to make a donation. There are links to some nice articles about Mike and his influence on the music scene.

Thanks to Joel for sharing his tattoos with us here at Tattoosday. And our condolences to Mike Conley's family and friends who lost so much when he was taken at such an early age.

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Chris Honors His Mother with a Back Piece

Last weekend, while riding my bike along the Shore Promenade at the southern tip of Brooklyn, I spotted the back piece above.

Although it is not completed, Chris, to whom the tattoo belongs, was more then happy to share it with us.

The story of this tattoo goes back a bit. Chris explained to me that, when he was seventeen, his father took him to get a tattoo. He got a piece on the left side of his back. He recalls his mother being beside herself over this, upset that he had gotten a tattoo at such an early age.

You can tell from the photo that, on the left side, one of the wings is covering the previous tattoo. Eventually, one won't be able to tell it was there.


Chris' mother passed away several years ago and he began this back piece to honor her memory. The central figure is the religious icon from Mexico Our Lady of Guadalupe.

Not only is it a spiritual tribute, but it is a practical one in that it is covering up the tattoo that Chris so vividly recalls upsetting his mother.

This grand design has been a work in progress for three and a half years. Renee at Memphis Tattoo has been the artist working on the piece. Work from Renee at Memphis Tattoo (now called Top Shelf Tattoo) appeared previously on Tattoosday here.

Thanks to Chris for sharing his tribute to the memory of his mother with us here at Tattoosday!

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Kelly's Memorial for a Best Friend / Carpe Diem

I spotted this beautiful cross of flowers on the back of Kelly's neck in front of the entrance to Penn Station on Seventh Avenue.

Regular readers may sense a little bit of déjà vu. Did I say her name was Kelly? Sure did. She was, in fact, the third woman named Kelly whose tattoos I photographed in just two days.

Kelly's floral cross is a memorial for her best friend who died in the last few months. The tattoo was inked just a month ago. She didn't offer many details about her friend's death, nor did I press her for them, as she seemed to me that she was still deeply saddened by his passing.

It almost seemed appropriate that she had a second tattoo, which had been her first, inked on her left ankle about two years ago.

The phrase "carpe diem," Latin for "seize the day," is among the most popular "word tattoos," and for good reason. The concept of carpe diem has helped people live their lives proactively, rather than passively. Juxtaposed with a memorial for a young person who was taken from life early, it seems especially poignant.

Both tattoos were done by Civ at Lotus Tattoo in Sayville. Work from Lotus has appeared previously on Tattoosday here.

Thanks to Kelly for sharing her two tattoos with us here. The loss of a close friend is not easy. Here's hoping both pieces give her the strength she needs to move forward and past this difficult time.

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Kelly Remembers her Grandmother

This awesome portrait was jumping off of Kelly's right shoulder in Penn Plaza last Wednesday.

Kelly has ten tattoos in all, but she chose this portrait for Tattoosday, inked six years ago by Joey Ortega at Kingpin Tattoos in Harker Heights, Texas.

This was, according to Kelly, Ortega's first portrait, and he created for her a lasting memorial to her grandmother, who had meant the world to her.

The portrait is accompanied by the phrase "may angels lead you in," a lyric from the song "Hear You Me" by the band Jimmy Eat World:

May angels lead you in
Hear you me my friends
On sleepless roads, the sleepless go
May angels lead you in

Kelly was in town visiting with her friend Amber. They have matching tattoos. See them below here.

Thanks to Kelly for sharing such a meaningful tattoo here with us on Tattoosday!

Bonus footage- the video from "Hear You Me":

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Mona's Pocket Watch Honors her Grandfather's Memory

On Monday, I ran into two hair stylists walking west on 23rd Street. Both were inked, and both graciously agreed to share one of their tattoos with us here in the blogosphere.

The photo above is one of three pieces that Mona has. She currently has a sleeve in progress. This pocket watch will eventually be part of a unified sleeve, but Mona explained how this stands apart from the rest of the design.

She identifies the pocket watch with her grandfather, who she always remembers had one on him at all times. His surname was Baltazar and, despite being adopted, she shares his family name. The (time) piece is dedicated to him.

This tattoo was inked by Regino Gonzales at Invisible NYC.

Thanks to Mona for sharing her tattoo, along with her memories of her grandfather, here on Tattoosday.

See below (or here) for her friend Kara's tattoo.

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Dropping a Couple of F Bombs

I ran into Shawn and Chris from Albany outside of Penn Station on Thursday, July 17. Both were heavily inked.

Of their many tattoos, one had some additional meaning, and it was one that they both had on their lower shins. In fact, they told me, there is a group of about twenty of their friends with the same tattoo.

A while back, one of their good friends, a personable guy nicknamed "F-Bomb," passed away suddenly due to some complications from a diagnosed, but not necessarily life-threatening health condition.

It was a great shock, and not only did his large circle of friends band together to help F-Bomb's mother pay for the funeral, but they all got the same tattoo to memorialize him for the rest of their lives.

Thus, the F-Bomb:

That is a still shot on Chris and also, due to my mishandling of the camera, here are two seconds of video of the same piece on Shawn:

The tattoos are credited to artist Christian at the Dead Presidents Lounge in Albany, New York.

Thanks to Shawn and Chris for sharing a little of F-Bomb here on Tattoosday.

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Not Seeing, But Knowing

Ashley has this tattoo on the back of her neck. The lines "I will not lose hope/I will not give in" are based on lyrics from a song called "The Crimson" by a band called Atreyu.

The lyrics were words commonly uttered by Ashley's best friend and cousin, who died a couple of years ago. He committed suicide after learning he had a serious illness. She and another cousin chose to honor his memory by having the lyrics tattooed on them as a reminder not only of someone near and dear to them, but because the message transcends death and affirms life. Even though her friend succumbed to suicide, the memory of him instills strength in her even though he is no longer part of the physical world.

As Ashley indicates, she chose the back of her neck because she "can't see it, but I know it's there," just as she can't see her departed friend, but knows that he is still with her.

This tattoo was inked at Body Designs in Bay Shore, New York.

As an extra bonus, here's the video for the song "The Crimson" by Atreyu:



Thanks to Ashley for sharing her tattoo and the personal story behind it, here on Tattoosday!

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Fabiana's Most Important Tattoo

If you haven't met Fabiana's ink yet, you may want to check out her previous posts here and here before continuing. The above tattoo is on her right bicep and has a remarkable story behind it.

Fabiana was born in Italy. When she was three years old, a mirror belonging to her parents broke. Rather than throw the whole thing out, Fabiana's father, who loved to paint, took the wood on which the mirror had been mounted, and painted this cross:


Sadly, her dad passed away about a year later and Fabiana's mom, wanting her family to have a better life, moved them all to the U.S.

Years later, as an adult, Fabiana decided to honor her father: "I thought about the painting and said Wow, it would be great to have a piece of my dad on me . . . so I took the painting to my tat guy [Lou at Third Eye Tattoos] and he was like, Sure!"

Fabiana loves this remarkable piece. She acknowledges that it's a bit different from the original but it still carries great meaning. Both Fabiana and her twin sister have the same matching tattoo to honor the memory of their father.

Thanks again to Fabiana for sharing another piece of herself with us here at Tattoosday.

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Syndy's Windjammer in Honor of Nanny

It was the swallows on her back that I noticed. But they were covered partially by the straps of her top, so I was just going to give her a Tattoosday flier and go on my merry way.

But, Syndy, a first grade teacher visiting from North Carolina, blew me away by peeling up her shirt on the sidewalk in front of Penn Station to reveal this stunning black and gray Polish windjammer.

This tattoo was inked in honor of her late grandmother, with the banner inscription "Forever -n- Ever, Nanny".


Syndy says her Nanny was a remarkable woman who always encouraged her to "be free," and loved going sailing.

This piece was inked in two sittings by Craig Foster at Skinwerks Tattoo & Design in Atlanta.

Thanks to Syndy for sharing her beautiful tribute here at Tattoosday!

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Ellen Lives on in Kate's Ink

Last week I saw this tattoo walking down 7th Avenue. I handed a flier to Kate, to whom this tattoo belongs. She e-mailed me later that day to say she liked the blog and expressed a willingness to share her tattoos here. We met the next day to talk about her ink.

Her first and second tattoos were actually inked on the same day last June. First was this piece on her left wrist:


"So," I asked Kate, "who's Ellen?"

"That's my sister Ellen's actual signature," Kate replied, "I got this a couple of days before her funeral."

Hold on a second.

"What?" I was shocked.

And then she told me what happened.

A year ago today (June 16, 2007), Ellen Aquino died tragically in North Carolina, from injuries sustained in a car accident. She was killed by another motorist who fell asleep at the wheel, crossed the center divider, and hit her head-on.

Two days before the funeral, Kate and two other friends went into Physical Graffiti Tattoo Studio in Rochester, New York, and each had the tattoo inked. Kate got it on her left wrist, one of her friends got it on the ankle, and the other got it on her foot.

The piece replicated Ellen's signature, along with a heart, and is a poignant memorial to Kate's sister.

But she did not stop there. At the same time that the signature was inked, Kate had four lines from "First Day of My Life" by Bright Eyes inscribed above her outer right ankle:


I've embedded the video here so one can hear the song:



"It's typically a love song," Kate says, but the lyrics are particularly resonant:

Yours is the first face that I saw
I think I was blind before I met you...

as Ellen's face would have been the first one she saw in this world. Because, Kate explained, Ellen was her identical twin, born ten minutes before her.

If I was stunned when this young woman of twenty-six told me she had just buried her sister last year, I was even more shocked when she told me it was her twin. I can barely imagine the grief of losing a sibling, but an identical twin? It was unfathomable to me.

Yet here was a vibrant young woman, talking to me in Greeley Square, showing me these tattoos based in tragedy, yet I could sense the strength that they gave her.

Her third tattoo was the heart with wings (pictured at the top of the post). It was tattooed at Extreme Graphix Tattoo Ink in Rochester. People always told her that Ellen was her guardian angel, and this piece represents the manifestation of that ongoing relationship.

Kate had shown me three tattoos, but she had told me she had four. I was thinking it might be one that I couldn't photograph, as I didn't see any other visible ink. Then, another Tattoosday first, she unveiled her fourth tattoo:

I was certainly not expecting an inner-lip tattoo. Kate joked, "Yeah, it's pretty hard-core". Wow. "Did it hurt?" I asked. She shook her head, "Not at all". So what's the deal with the word "LIVE" tattooed inside her lower lip?

As if she hadn't made me think enough, she continued to give me chills. "I got this on my last birthday," and I knew immediately why it was significant. Kate and Ellen had celebrated twenty-five consecutive birthdays together. And this one was the first that she would spend without her twin, for the rest of her life. Again, I cannot begin to imagine the emotions she was experiencing on what is supposed to be a happy day.

This was done at Love Hate Tattoo, also in Rochester. "It's a reminder to myself that I'm still here," Kate explained.

Via a series of e-mails I gleaned some additional details.

First, Kate offered up a link to Ellen's online obituary here. I also came across this tribute at a camp for handicapped children where Ellen worked for many summers. Her short life showed an amazing commitment to kids with special needs and a selfless commitment to helping educate others.

I was curious to know what Kate's parents thought of her tattoos and she replied:

My parents like my tattoos, they think they're nice, but would never want any for themselves. The only thing they told me in the beginning, in the midst of their grief was "don't get anything on your face." My grandmother however (she's in her 70's) *loves* my tattoos, and cried the first time she read the one on my ankle. I actually took her to get her own memorial tattoo (her first & probably last tattoo) in October, and she's quite proud of it.

I must say that Kate was amazingly resilient a few days shy of such a tragic anniversary. I cannot even begin to imagine the difficulty she and her family have undergone over the past year.

I thank Kate for sharing her and Ellen's story here. Tattoos are transforming, therapeutic emblems that not only help one heal, but also help one live beyond the healing.

I hope that Kate continues to find strength in her ink, and I look forward to her checking back in with us here at Tattoosday. Our thoughts and prayers go out to her family. Please know that it is and will continue to be an honor to host Kate's tattoos (end Ellen's memory) here.

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