Gypsy Queen

Another beautiful gypsy from Dawnii

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Mason's Gypsy, with a New Orleans Twist

I met Mason at the 7th Avenue Street Fair in Park Slope on Father's Day.

He has "twenty or so," tattoos, mostly accumulated from different artists from different places he has visited.

His offering for Tattoosday, however, was inked here in New York. It is a take on the traditional gypsy tattoo which I have been seeing a lot of lately:

Mason went to Kings Avenue Tattoo in Massepequa, Long Island, with a general idea for this piece, which is something he wanted to get for a while.

The artist, Grez, added a Fleur-de-Lis to the piece, per Mason's request, as a nod to the city of New Orleans where he grew up.

Thanks to Mason for sharing this fantastic tattoo with us here on Tattoosday!

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Mark's Gypsy Tattoo Pays Tribute to the Female Singer-Songwriter

I have mentioned before that I tend to shy away from approaching subway commuters about their tattoos.

However, like most of my self-imposed guidelines, I always make exceptions for work that is transcendent. That is, if the tattoos are supremely blogworthy, I will solicit, for the sake of the reader, people on the subway. One such case presented itself last week on the Brooklyn-bound N train.

I approached Mark Turrigiano as the N emerged from the subterranean underworld and climbed the Manhattan Bridge. He has phenomenal sleeves, intricate work that wraps and surrounds the limbs.

His right arm, with an Asian-inspired theme, is mostly attributed to Elio Espana at Fly Rite Tattoo Studio (whose work has been seen previously here). His left arm hosts an incredibly huge and colorful octopus, which was inked by Lou at Third Eye Tattoo (whose work has appeared on Tattoosday here).

Because of the scale of those sleeves, we opted to go with one of his newer pieces, a gypsy on the back of his left calf:


This piece, designed and inked by Craig Rodriguez at Hand of Glory Tattoo Studio in Brooklyn, is seen by Mark as "a good way to commemorate [his] work with female singer-songwriters".

I like this piece a lot because it contains a lot of traditional gypsy elements, but is atypical in its presentation. It seems much larger with greater detail than the traditional gypsy profile tattoos that are much more common. The vividness of the colors also helps the tattoo pop, and you can almost feel the texture of her scarf.

Mark says the piece was completed in about four hours over two sessions. He estimates that his body is about 30% covered in ink.

Feel free to check out Mark's website here.

Thanks to Mark for sharing this great gypsy tattoo with us here on Tattoosday!

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A German Gypsy in New York City

I met Dominic a couple of weeks ago out in front of Madison Square Garden in Penn Plaza.

He was visiting from Cologne, Germany, and was displaying an arm with tattoos:



Dominic has seven tattoos, most of which are based on traditional flash art.

We looked specifically at his gypsy tattoo, which Dominic says is especially poignant:



Why is this piece so meaningful? Dominic says his family once was very well-off ("blue-blooded"), but they lost their fortune. As a result, he feels a certain kinship to the tattoo.

The tattoo was created by Carlos at Fine Line Tattooing in Düsseldorf, Germany.

Thanks to Dominic for sharing his gypsy with us here on Tattoosday!

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Two for Tattoosday: Some Traditional Work Imported from California

Last week I spotted a young tattooed woman chatting with a friend outside of the Chelsea Whole Foods store. I hesitated because I was running late, but doubled back across the street and introduced myself. As it turned out, Krista and her two friends, Ryan and Jake, had recently moved from San Francisco to New York. All of them had tattoos.

Her friend Jake shared his first, but I am deferring that one to a later, more appropriate date (hint: check back on Father's Day).

After seeing Jake's tattoo, I turned to Krista and Ryan. "Who's next?" I asked hopefully.
Fortunately, I didn't get the "Wasn't the one tattoo enough?" attitude.

Krista deferred to Ryan and he offered, with his friend's assistance, this amazing piece:


I was surprised, to be honest, to see such a huge, traditional sailor tattoo on a tall young man with a finely-waxed handlebar mustache, so I had to ask what was behind this amazing piece.

He had a simple answer, "I'm American." And the logic computes on different levels. The eagle is our national bird, and the art of tattoo, which was discovered by British sailors on the indigenous populations of the South Pacific, didn't really explode in popularity until American servicemen started bringing their body art home from overseas.

There is something purely American in the naval tattoos that have embedded themselves in our cultural psyches and, although other cultures may argue the uniqueness of such art to U.S. citizens, that is the perception that has been re-enforced by our society.

This amazing tattoo was completed in four four-hour sessions by Zach Johnson at Idle Hands Tattoo Studio in San Francisco. Mr. Johnson is no longer listed on staff there but, according to his MySpace page, he occasionally pops back in from time to time.

Chest tattoos are notoriously painful and Ryan concurred: the pain, he said, especially over the diaphragm, was the worst he's ever felt ("worse than that from accidents" he has been in, he insisted). And he has seven tattoos, to boot, so he is no novice.

I turned to Krista, inquiring, and smiled when it was clear she was contributing as well. I believe it was the first time I got three people together to participate, with three very different tattoos.

She offered up this unique tattoo, also by Zack Johnson:



Krista explained that Zack had drawn up a whole series of flapper-esque, gypsy-style profiles, putting his personal spin on each one. This one has a feline appearance and, as a lover of cats, she took a shine to the design. The tattoo, as a result, has a traditional feel, but with a modified spin that makes it more unique. I particularly like the collar with the bell attached to it:


Thanks to Krista and Ryan for sharing their tattoos with us here on Tattoosday!

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Lacey's Traditional Gypsy Tattoo

I will never hesitate to ask someone about traditional tattoos. There's something classic about the imagery that just intrigues me.

Last week I ran into Lacey as our paths crossed on Seventh Avenue. It was a gloomy, overcast day, and I spotted a flash of vibrant color cutting through the streets. She shared this lovely gypsy:


This tattoo in particular, Lacey told me, doesn't necessarily signify anything other than an appreciation of the design. She did acknowledge that gypsies were mysterious and, as she put it, "a little naughty". This and the fact that there is a familial resemblance (she has several sisters), made this an appealing choice to sport on her inner left forearm.

The tattoo was inked at Ron and Dave's Tattooing on Staten Island by the artist Chris Lopez.

Thanks to Lacey for sharing her tattoo with us here on Tattoosday!

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The Tattooed Poets Project: Gina Myers and Her Colorful Gypsy

Today's Tattooed Poet is Gina Myers, who offered up this beautiful traditional gypsy piece:


Gina provided me the following commentary to accompany the tattoo:

"Sharing tattoos in this public forum is a little strange for me. I used to keep my tattoos covered when visiting family or working, and have only recently felt comfortable in the office at my current job letting them show. I tell my friends when I am going to get something new done, and I show them pictures afterward. However, I rarely, if ever, talk about the reason behind the tattoos.

I get tattoos for very personal reasons and the tattoos are for me, not for others. Strangers in public will often ask me about my tattoos or even go as far as touching my arm, moving my hair, or pulling up my shirt sleeve to see my work. What shocks me is that they often do not see anything wrong with their behavior. How often do people walk up behind strangers and rub their arms or ask them intensely personal questions? Someone once actually lifted my friend's skirt to see the tattoo on her thigh that stuck out some below her hemline. It would seem to go
without saying that what is beneath her skirt is not public. A tattoo is not public.

Sometimes when people ask me what a particular tattoo means, I ask them what they think it means. Usually people are able to put together a string of adjectives to which I respond, "That sounds pretty good to me."

I got this tattoo in September 2007 by Chad Koeplinger at Tattoo Paradise in Washington, DC. Chad is from my hometown of Saginaw, Michigan, and we grew up with the same people. I find this important. I kind of believe people who have a lot of tattoos are damaged in some way, and Chad, being from Saginaw, kind of gets my damage with no explanation. In 2006, I got a piece by Chad on the outside of my right arm, a fully-rigged ship, and then this piece, a gypsy, is on the inside of the same arm. To me, the pieces are related. They both represent people. This gypsy represents a particular person but can stand in for many as I have been lucky to have been surrounded by many strong women in my life. When I ask people what they think a gypsy means, aside from the occasional "stealing babies" comment, I often get strong-willed, mischievous, and free-spirited. To which I respond: "Yes, that sounds pretty good."

Thanks to Gina for sharing one of her amazing tattoos with us here at Tattoosday!

Please head over to BillyBlog to read one of Gina's poems.

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Beautiful Noise

New Dawnii

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Gypo!

New Dawnii pin-up!

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Gypsy King!

A reader submission! This sweet gypsy head was done by Mo Coppoletta of The Family Business, London, on Laurence Pisani.

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